Jonathan Swift
[While perusing my archives I happened to unearth the following tale from March 2001. I was on my second expedition to Australia, and Roz and I were busy laying down the groundwork for a charity event to take place the following February. Below is an account of one of the obstacles to such undertakings, and a salutary warning not to do business with the standover merchants of the Australian ‘pub night’ mafia.]
The actors advertised for the evening were Jacinta Stapleton (air hostess Amy), Ian Smith (Harold, aka Ted Douglas and Prisoner writer par excellence), Daniel McPherson (the lovely Joel), and our very own Janet Andrewartha (Lyn Scully – or rather Reb Kean). We were particularly excited at the thought of meeting Ian: Annie Phelan had expressly asked us to talk to him on her behalf, and Roz had just appeared alongside him on UK TV in I Love 1988. I even put to rest any plans to examine the depths of Daniel McPherson’s tan in favour of apprising the much-sought-after Janet Andrewartha of next year’s plans.
And so we took ourselves to the pub, Roz bedecked in an Oz-flag bandana as I braved the streets in a dangerously shiny mauve shirt. We were greeted at the door by George himself, who appeared cordial and stated that he hoped we would enjoy the night. Handing over the dubious $28 entry fee, we were ushered to a table by one of George’s minions. “The stars will be on stage in about five minutes,” he assured us. BackPacker King operates on a different definition of time to the rest of us, as we were kept waiting well over an hour and a half. During this time we had already drawn the melancholy conclusion that the procrastination was a blatant effort to keep us drinking in the pub all night. Roz in particular was already looking supremely pissed off at the unprofessionalism of the proceedings – perhaps, she mused, it would not do us great credit to be seen promoting these rip-off scams.
At great length George, MC for the evening, introduced us to the actors – not to those whom we had been expecting, but we were grateful for anything by that stage. Rather than Jacinta Stapleton and Janet Andrewartha we had Kate Keltie (Michelle Scully) and Ian Rawlings (Philip Martin, aka Sons and Daughters’ wicked Wayne); Daniel McPherson and mainstay Ian Smith were at least there as planned. Our disappointment at missing Janet was mitigated by Ian Rawlings’ presence – although never in Prisoner he remains one of Australian soaps’ most familiar figures. Even so, BackPacker King’s false advertising did begin to unsettle us, the more so when George announced that due to the large number of people in the pub, the actors would not be able to sign autographs. Would we be refunded any of the $28 that we forked out for the privilege? I think not.
Furthermore, were we alone in pondering the irony as George, resplendent in an obtrusively loud, glittering blue jacket, delivered breathlessly unfunny homophobic ‘jokes’? (e.g. “We don’t like Home and Away – we call it Homo and Gay.” – laugh? We almost shat.)
After the most perfunctory of chats – each star was asked a single question from a member of the audience – the personal appearances were over, and the actors were let loose on the crowds. To kill time and keep us drinking, a quiz night ensued. Roz and I roped in our quartet of seating partners and exercised our collective intellects over such probing questions as: ‘Who plays Paul in Neighbours?’ and ‘What company does Fred Flintstone work for?’
But we almost didn’t get to compete in the quiz.
The illustrious members of Melbourne’s acting community had left the stage, and Ian Smith was moving in our direction: Roz and I readied ourselves for the pleasure of meeting him. We were ambushed before we could even rise from the table. With no introduction a gaunt, raven-haired woman (“a Manchester crack-whore” as Roz was later to describe her) lunged across the table and demanded that we leave. “We don’t want you poaching our stars!” she screeched (one of the few comprehensible sentences that she managed to deliver). Hmm, last time I checked professional actors were not in fact the property of BackBacker King. Startled at the unprovoked tirade/hissy-fit (despite being accustomed to them from another source), Roz assured her that our intentions were simply to invite Australian soap stars to our one-off gala night next February; this cut no ice. Nor did the fact that our event was a charity fundraiser for AIDS – the hatchet-faced harridan snapped that she didn’t care (albeit in words of a more expletive nature). Unable to concede an inch, she three times demanded that we take back our money and leave. We reminded her that George had been happy to let us in, that he knew from the start what we were proposing (and that he had offered to do what he could to help), and that we had specifically contacted him to arrange meeting him that night. All this fell on deaf ears: obviously the ‘George’ figure was a mere puppet with no authority, at any rate we could conclude little else, given the blinkered determination of the mystery woman to eject us at all costs.
We stood our ground, declining the offer of our money back. As the woman had failed to introduce herself we had no obligation to accede to her bullying tactics. If she was a colleague of George, then she would have been required to explain why he had made us welcome on our arrival if the company’s intentions were indeed to harass and intimidate us in public. As far as we were concerned, we were here much like everyone else to meet some of the Neighbours cast (albeit not the cast we had been duped into believing would attend). We consented not to hand out any flyers to the cast at this time, despite the bare fact that any actor, from Neighbours or elsewhere, was not the property of BackPacker King. The woman’s assertion that they were “our stars” was of course relayed at a later stage to Ian Smith: if BackPacker King honestly believes it has the right to deny an actor work and publicity, then it is only just that the actor be informed. Pearson’s/Global TV were likewise apprised that a cowboy outfit were claiming ownership of Neighbours’ contracted actors. Perhaps most importantly of all, it was our duty to report the incident to Equity themselves, who tend not to take a rosy view of unscrupulous Mafia-style entrepreneurs exploiting their members.
Confronted with our peaceful resistance, the woman retreated into the throng; she was later seen conversing with George, leading us to conclude that he had sanctioned her animosity. He was the only BackPacker King representative to whom we had introduced ourselves, or who knew our business, so no one else could have loosed the rabid bitch on us. So much for doing whatever he could to help. The woman proceeded to spy on us with all the subtlety one would expect from a thug. When I took myself to the bar for a much-needed drink, there she was standing next to me: did she imagine I was going to ‘poach’ the bar-staff (or maybe liberate them from her tyranny?)?
For the remainder of the evening Roz remained entrenched in her corner, too revolted by BackPacker King’s threats and duplicity to mingle with the cast. Refusing to be cowed, I made the acquaintance of Messrs Smith, Rawlings, and McPherson, wondering if things would get any sourer if I gave a repeat performance of last year’s tactile encounters. But I reasoned that the actors had been sufficiently abused that evening, and contented myself with a few photos – presumably I should be grateful that the shrew had not confiscated my camera.
The evening was dragged out further as we awaited the results of the quiz. Plumbing new depths of bad taste, members of the audience were invited to give karaoke renditions of the Home and Away theme tune, amongst other more squalid party games (who can kiss the longest – not quite the cabaret we would care to endorse). But justice, that elusive phantom, cut her double-edged sword into BackPacker King’s own flab when it was announced that our team had romped home in the quiz. Rarely does victory taste so sweet and opulent as when seized in the heart of the enemy camp. Although the $200 prize money, split six ways, barely covered our exorbitant entrance fees, we took to the stage to wave our winnings in the general direction of George (who funnily enough chose not to congratulate us in person).
The moral and financial victories were ours, although we left the establishment with our wits about us, wary of revenge attacks. But we were neither waylaid by mercenaries nor thrown under the path of a speeding tram. Returning to HQ at the Warwick apartments, we conducted a post mortem on the night. We now knew that we had misguided rivals, who genuinely acted as though a one-off charity night posed serious threat to their weekly low-budget, lower-taste star-fests. It is difficult now to convey the sense of indignation and disbelief that had hold of us following the mystery harridan’s unwarranted verbal assault. In the cold light of day we might even extend a modicum of sympathy to the evidently disadvantaged individual. But will BackPacker King ever find a favourable mention in Blockade? Will we ever recommend any of our readers visit ‘The Elephant and Wheelbarrow’ if they find themselves travelling through Melbourne? Will we ever take seriously any company promoted by TNT magazine?
Don’t fucking think so.